LensCulture Prix du Livre Photo 2026

Ouvert aux candidatures

Avez-vous un ensemble de travaux prêt à devenir un livre ?

Le premier LensCulture Photobook Prize offre à un photographe l'occasion de transformer un projet non publié en un livre photo magnifiquement conçu, imprimé de manière professionnelle et distribué internationalement — entièrement financé. En partenariat avec Nazraeli Press, le projet gagnant sera conçu, produit et distribué dans le monde entier. Des prix supplémentaires sont décernés à 5 photographes présélectionnés et 10 photographes finalistes.

Soumettre un projet Date limite : 12 août 2026

Meilleurs Prix

  • Publication complète avec Nazraeli Press, d'une valeur supérieure à 25 000 $
  • Exposition Los Angeles
  • Prix en espèces
  • Présentation solo sur LensCulture
En savoir plus

Quoi soumettre

Soumettez 20–30 images, une déclaration de projet et une brève biographie. Aucun exemplaire du livre n'est requis.

Le Prix

Le gagnant reçoit une publication entièrement financée avec Nazraeli Press — un prix évalué à plus de 25 000 $ — plus une exposition à LA, des prix en espèces et une présentation en solo sur LensCulture.

1 Gagnant :

Reçoit une publication entièrement financée avec Nazraeli Press — un prix d'une valeur de plus de 25 000 $ — plus une exposition à Los Angeles, des prix en espèces et une présentation solo sur LensCulture.

5 Photographes Présélectionnés

recevez des subventions en espèces, un article de présentation en solo, un conseil individuel et une exposition à Los Angeles

10 Finalistes

recevoir un article de fond sur LensCulture et une exposition mondiale

Soumettre un projet

Le Jury

Un panel d'éditeurs de premier plan examinera les projets et sélectionnera la liste présélectionnée et les finalistes.

Le projet gagnant est choisi par Nazraeli Press.

Soumettre un projet

Prix et avantages

Détails des Prix

Gagnant

Publication internationale par Nazraeli Press, d'une valeur de plus de 25 000 $

  • Conception et production complètes du livre
  • Distribution mondiale via les canaux établis de Nazraeli
  • Tirage de 500 exemplaires et 50 exemplaires gratuits pour l'artiste
  • Promotion via le site web de Nazraeli Press, les salons du livre et les événements artistiques
  • Article vedette sur LensCulture, dans les infolettres et les médias sociaux
  • Exposition imprimée à ShowLA 2027

Présélectionné

Soutien au développement professionnel

  • Bourse de 500 $
  • Article de présentation en solo sur LensCulture
  • Consultation vidéo de 30 minutes avec les fondateurs de LensCulture
  • Exposition imprimée à ShowLA 2027

Finalistes

Promotion mondiale

  • Article de présentation collective sur LensCulture

Informations sur la soumission

Remise pour Soumission Anticipée

Comment postuler

Soumettez 20–30 images, une déclaration de projet, une brève description de votre vision pour le livre (facultatif) et une courte biographie. Aucune maquette de livre requise - ou acceptée.

60 $Soumettre pour 45 $

Read the and

Délai & Calendrier

Appel à candidatures : 8 juillet – 12 août 2026
Réduction pour soumission anticipée jusqu'au :
29 juillet 2026
Délai d'inscription régulier : 12 août 2026
Gagnants annoncés : 1er octobre 2026
Exposition LA chez SHOWLA:
10 – 13 décembre 2026
Date Limite Finale :
Mercredi 12 août 2026

Chris Pichler

Propriétaire/Éditeur, Nazraeli Press

États-Unis

Chris Pichler a fondé Nazraeli Press à Munich, en Allemagne en 1989. En 1997, la maison d'édition s'est installée aux États-Unis et en 2002 a ouvert une filiale au Royaume-Uni. Nazraeli Press a publié plus de 500 livres sur les beaux-arts et les arts appliqués, en mettant l'accent sur la photographie contemporaine. Les livres sont distribués dans le monde entier. Pichler édite et conçoit la plupart des livres publiés par Nazraeli. Il est connu pour son utilisation peu orthodoxe de matériaux courants — tels que le papier, le bois, le plastique, les métaux — et pour avoir introduit des éléments de travail manuel dans des objets autrement produits en série. Les livres primés de la maison d'édition ont eux-mêmes fait l'objet d'expositions et de livres sur les livres.


www.nazraeli.com

Gianluca Gamberini

Co-fondateur et Éditeur, L'Artiere

Italie

Gianluca Gamberini est le cofondateur et éditeur de L'Artiere, une maison d'édition indépendante basée à Bologne, Italie, spécialisée dans les livres de photographie contemporaine.


www.lartiere.com

Rachel Barker

Co-fondatrice et directrice, Stanley/Barker

Royaume-Uni

STANLEY/BARKER est une maison d'édition fondée à Londres par Rachel et Gregory Barker. Depuis leur studio, ils produisent chaque année une liste sélectionnée de publications hautement individuelles, notamment Fingerprint de Jim Goldberg, Crimson Line de Trent Parke et SON, PIA et Marion de Christopher Anderson. STANLEY/BARKER est reconnue pour le soin et l'attention aux détails apportés à chaque publication, dont plusieurs ont été sélectionnées pour des prix, notamment Pleasant Street de Judith Black — Sélectionné pour les prix 2020 Paris Photo Aperture Book awards, Christopher Street 1976 de Sunil Gupta, Sélectionné pour les prix 2019 Paris Photo Aperture Book awards, The Lucie Photo Book Prize et Les Rencontres d'Arles book Award, et Studio 54 de Tod Papageorge, sélectionné pour les prix 2015 Paris Photo Aperture Book awards.


www.stanleybarker.co.uk

Clint Woodside

Fondatrice et Directrice, Deadbeat Club

États-Unis

Clint Woodside a fondé Deadbeat Club à Los Angeles en 2011. La maison d'édition publie des monographies photographiques et des livres en édition limitée en mettant l'accent sur la matérialité, l'artisanat de l'impression et la collaboration étroite avec les photographes. Woodside édite et conçoit la majorité des publications de la maison d'édition, en accordant une attention particulière au papier, à la reliure et aux détails de production en tant qu'outils expressifs. Les titres de Deadbeat Club couvrent la photographie documentaire, paysagère et fine art, et sont distribués à l'échelle internationale. Woodside a siégé en tant que juré pour le Benrido Award, Filter et FotoFilmic.


deadbeatclubpress.com

Laura Sackett

Co-fondateur & Directeur créatif, LensCulture

États-Unis

Laura Sackett est directrice créative et cofondatrice de LensCulture, l'un des sites les plus importants dédiés à la découverte et à la publication des meilleurs travaux de photographie contemporaine. Elle dirige tous les aspects de la conception, y compris la stratégie, l'identité de marque, le site Web, l'impression, les communications, les projections et les expositions. En plus de diriger la direction créative de LensCulture, elle conçoit également et co-organise les expositions de LensCulture et les galeries en ligne. Laura est jurée, critique et nominatrice dans plusieurs prix et festivals photographiques internationaux. Elle est membre fondateur du conseil d'administration de PhotoAlliance et a obtenu une maîtrise en photographie du California College of the Arts. Elle vit actuellement à Oakland, CA.


www.lensculture.com

FAQ

Who can apply?

Open to anyone with a photo project thought to be ready for a book.

Are winners from past LensCulture Awards eligible to apply?

Yes, Winners, Finalists and Jurors’ Picks from past awards can apply.

How do I apply?

Follow the onscreen instructions. Submit a minimum of 20 images (maximum of 30 images), a project statement, and a brief biography. You may also include a short description of your vision for the book in your project statement (this is optional, not required).

Can I submit a book dummy?

No, only images (in jpeg or png format). If you have specific ideas for spreads, you may include those as a single image as part of your submission.

Who designs the book?

The winner will enter into a publishing contract with Chris Pichler at Nazraeli Press, who has extensive knowledge and experience with designing and marketing successful books. The publisher, working as a creative team with the photographer, makes the final decision on the book design.

If I am chosen by Nazraeli Press to have a book made & published, what are the next steps?

The winner will be contacted shortly after the selection is made, to set up a time to speak with Chris Pichler of Nazraeli Press regarding the design and layout steps. Nazraeli Press works collaboratively on these aspects with the artists it publishes.

What is the print run and how many artist copies will I get?

Nazraeli Press will determine the best number after choosing the project, but a minimum of 500 copies with 50 Artist Copies.

Can I submit a book that I have already self-published?

Yes, if it’s a small edition of under 250 copies.

Does the submission have to be a particular genre?

No, open to any genre, subject or style.

How many images can I submit?

Minimum of 20, maximum of 30.

What’s the timeline?

Deadline is August 12, 2026. Judging window is Aug 24 - Sep 11, 2026. Winners will be announced Oct. 1, 2026. After that, Chris Pichler from Nazraeli press will begin collaborating with the photographer on the making, production and distribution of the book.

What are the photo specifications for uploading?

For best results, upload the highest-quality JPEGs, sized a minimum of 1200 pixels on the longest side but up to 2000 pixels is even better. Maximum size is 10MB. The file name should be under 50 characters. No PDFs are accepted.

Can I submit diptychs?

You can submit diptychs as one image. But keep in mind the maximum pixel length of 2000.

If I am a winner or shortlisted and included in the exhibition, what is included? and who pays for it?

LensCulture exhibition designers & curators will decide on a small selection of images from the winning project to include. We will request the necessary hi-resolution materials at the time of organizing the exhibition. All costs associated with the exhibition will be paid for by LensCulture.

I can’t login to my account.

Go to lensculture.com/forgot_password and enter the email address you think you signed up with. We’ll send you a password reset link.

What forms of payment do you accept? Do you accept PayPal?

You can pay for your entry with PayPal, Visa, MasterCard, American Express. We’re sorry, but we cannot accept bank transfers or payments by check at this time.

Can I replace or re-arrange my photos after I’ve submitted them?

Once uploaded, you may re-arrange, pause, and resume later up until the deadline. However, all submissions are final – and cannot be edited – once payment has been completed.

How can I access my submission?

From the homepage (www.lensculture.com), hover your mouse over your name in the upper right hand corner (make sure you are logged in). From there, press “My Submissions.” Here you can see all the submissions you have made to LensCulture competitions. You can see which have been submitted and which are still pending. Click on whichever submission you would like to edit and follow the instructions from there. Remember, you can edit your submission all the way up until the deadline!

I would like to submit two series of photographs, can I upload both series into one submission or do I need to make two submissions?

Each series should be in a separate submission so that you can write a description for each one and allow the jury to view each entry as a single body of work.

We are two photographers working as a team, can we make one submission?

Yes, but please provide background info on both of you in the bio so we know it’s a team.

If I live outside the United States, am I still eligible for this competition?

Definitely! Our competitions are truly global, drawing submissions from over 150 countries.

Are there restrictions on when a series was completed?

No, there are no time-based restrictions concerning when a series was made.

Do I need to submit a model release with my portraits?

Good question. You need to check with the local laws of where you are shooting regarding portrait/street/candid photography—some places are very strict and explicitly require model releases while others are more lenient. As long as your photos fall within the laws of where you made the work, you can submit them to our competition.

Can I use Artificial Intelligence (AI) in my submission?

Within limits. LensCulture will not accept any purely AI-generated work. It is acceptable to modify and edit your own original photography using AI tools, but you must clearly indicate in your project statement how you have applied AI to your submission, and the extent of the modifications. All awards will be given at the discretion of the jury.

Can you explain the usage rights if I submit to this Prize?

I hereby authorize LensCulture to display, print, and distribute in any manner any photographs that I have entered in this Prize to conduct and promote LensCulture competitions. Each photographer retains copyright of his or her images, and proper credit lines will be attributed to each photographer when used in any publicity of LensCulture.

If an entry is featured on Instagram or Facebook, does it have any effect on the final judging?

No. Every day, our editors look at the submissions and select some for inclusion in our social media channels. The jurors do not begin looking at work until after the competition deadline has passed. The jurors’ decisions is independent of LensCulture’s editorial selections.

Can I get a refund?

No, entry fees are non-refundable.

Can I get an invoice for my competition entry fees?

Once your entry is submitted, we automatically email you a confirmation invoice indicating payment details, including the competition you entered, the category, the amount you paid and how you paid it (credit card or Paypal). This is the invoice and is consistent with how other online purchases send order confirmations.

What are the ‘fine print’ facts I should know about?

You can find the competition rules link next to this FAQ link. Here are some, but not all, of the basic rules that you agree to:

  • By submitting these photographs to LensCulture, I authorize that these are original works of art that I personally created.
  • I am releasing LensCulture and its agents, principals, employees or contractors from any liability regarding the display of work that I have submitted to them, including any liability for redisplay by individuals making copies of the display made by LensCulture.
  • By agreeing to this release, I authorize that I am 18 years of age or older.
  • I hereby authorize LensCulture to display, print, and distribute in any manner any photographs that I have entered in this competition to conduct and promote LensCulture’s competitions. Each photographer retains copyright of his or her images, and proper credit lines will be attributed to each photographer when used in any publicity of LensCulture.
If I have more questions, how do I contact you?

You can email us at support@lensculture.com. We will do our best to get back to you as soon as possible. Please recognize that a support request sent right before the deadline might not get immediate attention. Do your best to submit your work before the last minute to avoid any anxiety. Good luck!

Rules

1.1 To qualify to enter the competition, you must be over 18 years of age.

1.2 By entering the Competition you hereby accept these competition rules.

1.3 Entries must be submitted no later than the deadline of listed on the Competition URL, lensculture.com/awards

1.4 The competition is open to everyone that is 18 years and older, professional and amateur photographers alike.

1.5 By entering the Competition, you agree and acknowledge that LensCulture is permitted to receive and review your registration data. Participants agree that personal data including, but not limited to, name, mailing address, phone number, and email address may be collected, processed, stored and otherwise used for the purposes of conducting and administering this photo competition. At any time, participants have the right to access, review, rectify or cancel any personal data held by LensCulture by sending an email to the following address: support@lensculture.com

2.1 To enter the competition, you must submit your entries to the Competition URL, lensculture.com/awards. Participants must also pay the entry fee(s) and complete the submission form in order to be considered for the competition.

3.1 All entries will be reviewed and pre-screened by our editors and an international group of industry professionals. The screened entries are then reviewed by our international jury. The jury will choose the winners. The decisions of the jury are final.

3.2 Submissions that have been awarded a cash prize in a previous LensCulture competition are not eligible to win cash prizes in subsequent competitions. Please consider entering new work. Submissions that have been selected as Finalists in previous competition ARE eligible to win a cash prize in subsequent competitions. A photographer may win multiple cash awards but the same photograph/series cannot win multiple cash awards. If a series/photograph was submitted to a previous competition but received no prize, then that series/photograph is still eligible.

3.3 Winning photographs may be included in the future in traveling group gallery exhibitions and/or screenings and projections at arts institutions and festivals worldwide. Each photographer retains copyright of his or her images, and proper credit lines will be attributed to each photographer when exhibited or screened anywhere by LensCulture.

3.4 The full name of each entrant whose work is selected as a winner, juror’s pick, or finalist will be published online.

3.5 Cash prizes will be paid by wire transfer or other electronic methods. Any fees incurred for foreign currency transfers will be deducted from the winning amount.

3.6 No cash alternatives will be offered for any prizes.

4.1 LensCulture reserves the right, in its sole discretion, to disqualify and remove any photograph that does not comply with the following requirements, even after the photograph appears on the website. You warrant, in respect of the photographs submitted by you, as follows:

4.1.1 You are the sole copyright owner and creator of the photographs.

4.1.2 You have the right to enter your photographs in this competition.

4.1.3 To the best of your knowledge, the photographs do not contain any infringing, threatening, false, misleading, abusive, harassing, libelous, defamatory, vulgar, obscene, scandalous, inflammatory, pornographic or profane content.

4.1.4 To the best of your knowledge, the photographs do not contain any material that could constitute or encourage conduct which would be considered a criminal offense, give rise to civil liability, or otherwise violate any law.

4.1.5 The photograph does not infringe upon the copyrights, trademarks, contract rights, or any other intellectual property rights of any third person or entity, or violate any person’s rights of privacy or publicity, and your photograph does not include:

4.1.5.1 trademarks owned by third parties.

4.1.5.2 copyrighted materials owned by third parties.

4.1.5.3 names, likenesses or other characteristics identifying celebrities or other public figures, living or dead.

4.1.5.4 entries in which you have purchased or secured the rights to use stock images.

4.2 You agree to fully indemnify LensCulture in respect of all royalties, fees and any other monies owing to any person by reason of your breaching any of the foregoing.

4.3 You confirm that each person depicted in the photograph has granted permission to be portrayed as shown—and has the right to grant that permission. Any costumes, props or other materials used must be rented or borrowed with the permission of the owner, and all other relevant permissions must have been obtained.

4.4 Images that purport to be “news” photographs, reporting, photojournalism, or documentary photography, should comply with the ethical guidelines of the National Press Photographers Association in general, as well as those proposed by UNICEF for ethical reporting on children. No people or objects may be added, rearranged, reversed, distorted or removed from a photograph. If images are staged, this should be made clear in the written statements and captions. It is important, always, to take into account the ethical considerations of photography, and to protect vulnerable people from potential harm that could be inflicted as a result of publishing images that expose or identify individuals or groups who may be or may become vulnerable as a result of the publication of the photographs.

5.1 LensCulture recognizes you retain full ownership of the copyright in each photograph that you have submitted.

5.2 Not every photograph submitted to the competition will be publicly visible on LensCulture. There are too many submissions for each one to be shown on the site. The pictures on the website are pre-selected by LensCulture’s editors. Whether or not your entry is selected by the editors for display has no effect on your standing in the competition—the jury’s judgments begin after the competition deadline has passed.

6.1 All entrants agree that all photograph(s) submitted to the competition may be reproduced (with photographer copyright credit) and used to conduct and promote LensCulture competitions. You hereby grant LensCulture with a right to use submitted photographs in the framework of such promotional activities.

7.1 Any photograph used by LensCulture shall carry a credit line. Any failure to provide such credit line shall not be deemed to be a breach, as long as LensCulture uses its reasonable endeavors to rectify such failure within a reasonable period from the date of notice of such failure.

7.2 You acknowledge that LensCulture and its event partners assume no responsibility and are not liable for any image misuse.

8.1 LensCulture assumes no responsibility for any incorrect, inaccurate or incomplete information, whether caused by website users or by any of the equipment or programming associated with or utilized in the Competition, and LensCulture assumes no responsibility for technical, hardware or software failure of any kind, for lost network connections, garbled computer transmissions, other problems or technical malfunctions with regard to the Competition. LensCulture assumes no responsibility for any error, omission, corruption, interruption, deletion, defect, delay in operation or transmission, communications line failure, theft or destruction or unauthorized access to or alteration of entries. LensCulture is not responsible for any problems or technical malfunction of any telephone network or lines, computer online systems, servers, computer equipment, software, failure of any e-mail addressed to LensCulture on account of technical problems, human error or traffic congestion on the internet or any website, or any combination thereof, including any injury or damage to your or any other person’s computer related to or resulting from participation or downloading any materials in the Competition. If for any reason a contestant’s photograph cannot be viewed or is not capable of running as planned, including infection by computer viruses, bugs, tampering, unauthorized intervention, fraud or technical failures, LensCulture assumes no responsibility.

9.1 In no event will LensCulture, its members, event partners or its officers, directors, employees, be responsible or liable for any damages or losses of any kind, including direct, indirect, incidental, consequential, special or punitive damages arising out of any contestant’s access to and use of the website and participation in the competition. Without limiting the generality of the foregoing, everything on the Website is provided “as is”, without warranty of any kind, either express or implied, including but not limited to, the implied warranties of merchantability, fitness for purpose or use or non-infringement.

10.1 You agree to participate in related publicity and to the use of your name and winning images for the purposes of advertising, promotion and publicity for LensCulture and the Competition without additional compensation. Such requests will not be unreasonably withheld.

11.1 For the purpose of this award, LensCulture will not accept any purely AI-generated work. It is acceptable to modify and edit your own original photography using AI tools, but you must clearly indicate in your project statement how you have applied AI to your submission, and the extent of the modifications. All awards will be given at the discretion of the jury.