I am Walé Respect Me

Photos (15)

Cover
© Patrick Willocq - Walé Oymobé, bored and alone. « Ensansa : lokúkú lókula Itipo y’ Obenga, bâmâ bâyôlèké là nyóngo nd’âpèke ».Song: drums hit Itipo of Bobenga, mamas go with hoe on shoulders.
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© Patrick Willocq - Walé Mpia and Oyombé, basketry veawing. The Walé ritual imposes various taboos on the young mother, such as going to the fields, preparing or serving food, leaving her plenty of time to pamper herself and her child. The only authorized work is traditional basketry weaving
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© Patrick Willocq - Walé Asongwaka, educated walé. « Ensansa : Walé Njémálá ! nsêmálá, Nkîkìsa ! nsôkìsa, Walé njôkàndé la kíti yéndélé l’énkònji, Walé bó kàlàhi, njôkàndé la búku ndîkàta ».Song: Walé stand! I stand, be seated! I sit, Walé I walk with chair of white people and chiefs, I Walé of school, I walk with book in hand.
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© Patrick Willocq - Walé Asongwaka, sentenced to jail. « Ensansa : mpúàmbolé lobélá, bâmâ bôntombi, bòlóko nd’ímònga ». Song: I do not answer calls, mamas take me, jail to main town.
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© Patrick Willocq - Walé Epanza Makita, honor, prestige and power. « Ensansa : Mpúàmbolé lòbélà, nyàmbòle ndé lobùlú, lôlálé nsòmbo ».Song: I not answer calls, I answer on room, boar sleeping.
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© Patrick Willocq - Walé Lokito, unfair sharing. « Ensansa : bôpápá lôsóló bàbóndo bâpâ nyó bakombe ».Song: papas, review share give your sisters.
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© Patrick Willocq - Walé Asongwaka takes off. « Ensansa : Avìo êkînó bèndélé, walé áyôlí ndé bókòma, w’ilàka ».Song: plane your white, Walé goes on hanging, from the fence.
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© Patrick Willocq - Epanza Makita, batwalé. « Ensansa : Bokéngé nyama, bokéngé mpùlú, n’sùname ng’ósunámá, bònkómo w’éngolo »Song: part animal, part bird, I face upside down, bat the great.
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© Patrick Willocq - Walé Lokito and her belongings. « Ensansa : lòné bóbùlú njôla, lòné bóbùlú njôlùka bìòmba ».Song: I leave this room, this room I look for belongings.
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© Patrick Willocq - Lokito, hunter Walé. « Ensansa : pápá ayàlí bòbènga bònéne, bôlìáké nsombo la mbuli, mbélá îko biàlé ».Song: father is great hunter, killed wild boar and antelope, Walé these are songs of invitation.
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© Patrick Willocq - Walé Mpia and her mundele. « Ensansa : Bakalé biàlé bòpálá yôyàbòma, Ipaya ábálé bòndélé, Ipaya ábátá bôme, emí mbálé Patriki »Song: rival Walé, do not kill each other, Mpia married white man, Mpia found husband, I married Patrick.
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© Patrick Willocq - The Arch of Walé Oyombé - « Ensansa : bâpápá lôlende njôyé l’isúà y’okili, nko lá basómí, mí bíòto, iné isómí áyôtùà nd’ôtumbá yôndámbéla bìòmbo, mâ ásôtua nd’ôtumbá yôndámbéla bankondo ».Song: papas see us I come land boat, with assistants, I feathers, this assistant enters hut prepare food, mum enters hut prepare palm.
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© Patrick Willocq - Walé Oyombé, polygamy. The prestige and power of a Walé derives from the respect she earns by observing the sex taboo during the period of her seclusion (2 to 5 years), despite her attractiveness and youth. But a direct consequence of the Walé ritual is to encourage polygamy, socially accepted by the community.
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© Patrick Willocq - Walé Oyombé, Nkumu. « Ensansa : bôpápá boutíka nd’ípoy, mí nyúme nd’ókonda w’élóba, mí ngóyé, basómi báyânkùmá l’´ndóki nd’âpèke ».Song: papas tipoy put me in, me I go into eloba forest, me I come, all assistants with rifles on shoulders.
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© Patrick Willocq - Walé Asongwaka, finally free. Immediately after the seclusion-ending festival, Walé Asongwaka (21 years old, 3 years in seclusion, mother of Bola) returned to her husband’s hut. The next day she and her child have flaunted their best set of clothes to the whole community.
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