In and outside

I want to show myself, but at the same time I am afraid of it and many times I am hiding rather. But sometimes I also stretch my self–created frames, trying to get out, indicating that I exist. In my series, I worked with the polaroid technique, because the image is already pre-framed, which I can cross. For the maximalism of my compulsion - which in many cases, manifested in an infinite retouching in relation to digital images - the finality and contingency of the polaroid also means reassurance, I can not modify the image itself, but I can process it manually in any way afterwards.