‘So You’ve Ghosted Me’ is a sequence of 7 self portraits based on a written correspondence I received after the end of a short-lived relationship. The technological failure that is inherent to the camera– photographing beyond the flash sync speed – enables my photographic disappearance. The camera’s shutter progressively obscures portions of my body until the whole image is saturated with black: I simultaneously become a ghost and ghost the viewer by ending a channel of communication.