Malignant influences.

It is a graphic intervention project on a family photographic archive. Through the manual use of colored pencils, graphite, India ink, markers, Oil or materials such as chlorine or vinegar, I intervene in the photographs as a way to create new realities invented from my obsession and fascination with the Catholic religion since I served to church when I was a child and my family is deeply Catholic; that is why in this project I connect my taste for the anomalous, monsters and terror. Project that allows me to reflect on the family system, the apocalyptic vision of the Catholic religion and its rituals; the individual and collective unconscious that builds Mexico and also the very important use of photography and the family album in our lives, which allows us to connect with the world in a universal way.