Carolina Baldomá is a visual artist who lives and works immersively within the Argentine Pampas. Her work is grounded in the ideas of coexistence and synchronicity, exploring the relationship between humans and nature. Her practice moves across photography, video, and process-based image-making, developed through site-specific and performative approaches in which image production emerges through direct interaction with the surrounding landscape.
Within this framework, her work is organized into two complementary lines. The first explores the landscape through 19th-century photographic techniques, including cyanotype, anthotype, and chlorophyll prints, alongside experimental image-based processes. In this context, nature operates as an active agent within the work. The landscape is not only represented but reconstructed through a co-creation with the natural surroundings, where time, matter, and territory converge.
This line of work is informed by her Master’s thesis research for her degree in Contemporary Art Curatorship at ESEADE, focused on 19th-century British women photographers and their relationship with botanical sciences. These practices of observing and classifying the natural world, developed by women historically marginalized within photographic and scientific discourse, are reactivated through a contemporary reading that shifts the taxonomic paradigm toward an ethics of care for the natural world.
The second line addresses the relationship between female life cycles and natural cycles, based on liminal experiences and processes of transformation in young women deeply connected to the earth, in dialogue with Latin American magical realism.
She is currently pursuing a Master’s degree in Contemporary Photography at LENS School of Visual Arts (Madrid, Spain), supported by a scholarship.
Her work has been exhibited in institutions and venues in Argentina, including Centro Cultural Rojas, Fundación Cazadores, and MUBAL Museum of Fine Arts. Internationally, it has been shown at The Griffin Museum of Photography (Massachusetts, USA), Soho Photo Gallery (New York, USA), PhotoPlace Gallery (Vermont, USA), Amanda Smith Gallery (Texas, USA), The Photographer’s Eye Collective (California, USA), and Museo Arte al Límite (Panquehue, Chile). She has also participated in international fairs such as Photo London (London, UK) and Pinta BAphoto (Buenos Aires, Argentina)
In 2026, she was a finalist for the LensCulture Art Photography Award (USA), shortlisted for the 167th International Photography Exhibition of the Royal Photographic Society (Bristol, UK), and for the Athens Photo Festival (Athens, Greece). In the same year, she received third prize and a jury mention in Water competition of the New York Center for Photographic Art (New York, USA), and a mention at the Pangue Video Festival by Building Bridges Foundation (Los Angeles, USA).
In 2025, she received a special jury mention at the 112th National Visual Arts Salon at Palais de Glace (Buenos Aires, Argentina) and was a finalist for the Fresh Photo Award at Klompching Gallery (New York, USA).
She has also received distinctions from LensCulture (USA), Lenscratch (USA), and Femgrafía (Mexico), among other international recognitions.
Deeply rooted in sensitive observation and immersive engagement with the landscape, her work reflects on the relationship between human beings and nature, understanding the creative act as a process of co-creation with the natural environment.
